Green-screen filming for corporate video — production run, not stage rental.

Executive presenter videos

C-suite messages, quarterly updates, and shareholder addresses shot against a virtual set that matches the brand's on-screen identity — no boardroom booking, no dressing.

• Teleprompter + on-set direction
• Two-camera coverage
• AR + EN takes back-to-back
• Virtual set library included

Product explainer films

Presenter walks the product through its story — features, benefits, use case — with the product itself keyed into the frame or displayed on a virtual screen next to them.

• Product-plate compositing
• Callout graphics + animations
• 60/90/120-second cuts
• Web + trade-show exports

Training & L&D content

Long-form training modules with a consistent presenter, a consistent virtual classroom, and a delivery pipeline sized for LMS uploads.

• Multi-module shoot day
• LMS-friendly aspect + bitrate
• Subtitle + closed captions
• SCORM-ready packaging on request

Virtual event backdrops

Livestream your presenter from the chroma stage into any virtual venue — sponsor lobby, conference stage, or fully custom set — with a live-key output feed.

• Live-key output to stream
• Real-time compositing
• Multiple backdrop switches
• Broadcast-ready delivery

Talking-head social series

Vertical-first series of short presenter cuts — weekly leadership messages, LinkedIn personal-brand series, or thought-leadership drops built as a rolling monthly slot.

• Vertical 9:16 by default
• Kicker + burnt-in captions
• 8–12 videos per shoot day
• Publishing calendar handoff

Custom virtual-set design

For brands with a specific on-screen world in mind — 3D-built virtual set with brand-matched lighting, environment, and props, keyed live into the shoot.

• 3D set build in-house
• Brand-matched lighting pass
• Unreal Engine option
• Owned asset delivered to client

Director on set, not a stage manager

Our director runs the take — pacing, delivery, energy, retakes. You get a presenter performance that carries the film, not just a clean plate for post to salvage.

Two-camera coverage every take

A-camera locked, B-camera on the move for cut-in options — same shoot day, same setup. The editor has coverage to build a proper film, not a static talking head.

Compositing in-house, not offshored

Key, plate, virtual set, colour, and delivery master are all built by the same team that ran the shoot. No handoff to an external VFX shop, no waiting on a comp render from another city.

One shoot day, one week to delivery

A typical presenter shoot day generates 8–12 finished virtual-set films — filmed, keyed, composited, colour-graded, and mixed — delivered inside seven business days from the shoot date.